Gary Clark Jr. is back with his fourth
studio album JPEG Raw, his first in five years (This Land). JPEG Raw is an
acronym for Jealousy, Pride, Envy, Greed, Rules, Alter Ego, and Worlds. The
album came out of a time period in which Clark Jr. would find himself alone in
the studio during COVID-19 quarantined
in March 2020, trying to set himself back to when he first started making music
at the age of 12. He explained that JPEG Raw is about "showing
the real and not the edit" as he grew tired of not having "more
genuine interaction" due to a "world of edits, filters and
redos". The album finds him expanding on his palette of influences,
including traditional African
music, jazz, rock, R&B, hip-hop,
and blues.
One thing that Clark deserves credit for
is that it is a full album of twelve songs and the album lasts almost one hour.
He also has five guests on the album
including Stevie Wonder and George Clinton. You can tell how much work he put
into this album with some very well thought out tracks and his playing over ten
instruments. It also has a nice balance of fast and slow paced songs.
Tracks like “Maktub”, “JPEG Raw” and
“This is who we are” all rock out, are good tracks but Clark does it fast
talking-rapping which isn’t the best or really goes with his rock vibe. The
second one has a bluesy old school style to it but is more emotional as well. The
third one has a cool opening riff to it with like a choir in the background and
sounds like a really good production is being put on.
The track “To the end of the Earth” is a
nice quiet and quick song which is a nice easy transition to harder stuff
coming or more complicated stuff. Like the song “Alone together” that is a very
emotional slower track which has a message about being together and being
alone.
One of the best songs is “What about the Children” has the R&B Stevie Wonder singing on the track but also co-wrote
it with Clark, it is such a groovy song that also rocks out blending R&B
with rock well. The other really groovy song is “Funk witch u”, it is very
funky but rocks out and is a very clever play on words.
“Hearts in Retrograde” is one of his
more interesting songs which has a cool sound to it like UFO noises which like
other songs on this album; like he put a whole production for this track with a
catchy chorus but it rocks out as well. “Hyperwave” is also a good example of a
good song that rocks out but has a nice-slower tone to it. There is one bad
song “Don’t Start” that starts off very weird and just is eh nothing special.
The album ends with two very
emotional-quieter tracks but also the two longest tracks. The track “Triumph”
has a great message, it is very catchy but does have its moments when it rocks
out but is one of the better tracks. It blends an emotional message with a good
rocking out. While the final track “Habits” comes in at nine minutes and completely
changes the mood/vibe of the song three minutes into it. It definitely fits the
vibe of a good emotional-slower track that gives perspective into his life. It
is mostly an instrumental rocking out on his guitar for most of the ending of
the song.
Let’s give Clark some real credit here as most artists do not write most of their songs or play one instrument let alone ten or more. He decided he was tired of filters/edits/ that he made a wonderful album from start to end of all original ideas. He continues to be a master of blending the blues with rock music and this album isn’t any different.
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